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The purpose of this study is to investigate the effect of dance activity of the gwonbeon gisaeng on the Korean dance world, and the conclusion is as follows. First, gwonbeon is a gisaeng union made by gwanki who were in charge of the royal court, After liberation, gwonbeon in the capital area was dismantled. However, the provincial gwonbeon was changed to the private institute for traditional music and continued the traditional art of the gweonbeon. Second, if you look at the performances of the gwonbeon gisaeng, you can see that the gwonbeon dance changes in various ways as the place of the performance changes from the existing flat stage of the theater stage facing the audience. Also, the repertoire of the dance was diversified as the gwonbeon gisaeng became familiar with the theater stage. They put the court dance and folk dance on the same stage where performances were focused on the court dance and started to change the court dance or to perform new creative dances. Third, if you look at the influence of the dance of the gwonbeon on the Korean dance world, through the passing down of it by the gwonbeon dancing teachers and gisaeng, it was possible to maintain the spirit of the royal court dance. Possessors registered as national intangible cultural properties and provincial intangible cultural properties such as a Jinju soward dance, Honam salpuri, a Buddhist dance, etc. can be found to have been influenced by, or passed down the gwonbeon dance. In other words, as the passing down of the gwonbeon dance was carried out, the traditional Korean dance did not die out, which contributes greatly to the development of the Korean dance world.