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Up to now, studies of Kimbuyong¡¯s poetry have focused on the time of her marriage to Yeonchun Kimyiyang, during which she was a famous poet. However, a study of Uncho Kimbuyong¡¯s work her Gisaeng childhood requires a fresh understanding, as it concentrated on the exchange between Sadaebu and Gisaeng, especially regarding love.
The object of this study is Uncho¡¯s three pieces of work in ¡°Gobun.¡± ¡°Gobun¡± means ¡°lonely grave,¡± but it remains unknown whose grave is referred to. Furthermore, ¡°Gobun¡± refers to the tombs of at least three people¡¯s, as the poetry comprises three pieces of work.
These works bear similarities to other poetry about Sunyeondong. For example, the use of poetic language, background, format, content, etc. are similar. Pyongyang Gisaeng returns to the cold earth, as do others-that is the destiny of Gisaeng. Thus, we might deduce that ¡°Gobun¡± means Sunyeondong, the graves of Gisaeng.
The poetry of Uncho Kimbuyong is precious, in that it speaks of the time in old Gisaeng¡¯s life, and shows the old customs.
The fate of Gisaeng left no choice but to go to the full Sunyeondong, the lonely tomb. It entailed being a second wife to someone. Because of this, Buyong¡¯s poetry is special, and reflects the identity of the public Gisaeng. Her main conflict, concerning social standing, ends with ¡®Sunyeondong.¡¯ ¡®Sunyeondong¡¯ was a graveyard for all Gisaengs, without exception, and so is the space that contains Gisaeng¡¯s identity.