???? ???(��ԭ����)? Ԋ�Z ??? ???? ?? ??-��???? ?????(�m�Ӹ��)��? ????- (A Study on Assessment of Poetic Diction and Aesthetic Consciousness in Fujiwarano Teika - Focused on ��Miyagawa-Utaawase�� -)

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This study is about the beginning of assessment of poetic diction and the aesthetic consciousness of Fujiwarano Teika(��ԭ����).
The Heian monarchy(ƽ������) was been faced with a literary crisis by the Kamakura shogunate(�`�}Ļ��) and military rule(�������).
As a part of attempt to recover the way of Waka poetry(�͸�), Saigyo(����) conducted experimentally, for the first time, the name of Zikaawase(�Ը��) Style like the ��Mimosusogawa-Utaawase(����媺Ӹ��)�� and the ��Miyagawa- Utaawase(�m�Ӹ��)��. These two Utaawase(���) were based on the aesthetic consciousness about Saigyo that he showed his earnestness the outer and inner palaces of the Ise Shrine(������m). This study focused 72 song works that were evaluated, as a judgement, in ��Miyagawa-Utaawase�� by Fujiwarano Teika. Judgements were created some new concepts form this form. In the case of the aesthetic consciousness, Yugen(����), in the philosphical thought of Buddhism. commissioned Fujiwara Shunzei(��ԭ����) to comment on the former, and the latter to Teika. As an official evaluator of the so-called Waka world, I would like to review the literature, aesthetics, and standards of evaluation of the Teika��s aesthetic feelings. Saigyo, as a Buddhist poet, commissioned Teika to evaluate his work on the selection and compilation of his works. The evaluation of waka poetry works were under the influence of his father, Fujiwara Shunze, However Teika��s the evaluation made major source of understanding the aesthetics of himself. The emergence of the Kamakura Shogunate and political power, represented to change in the realm of literature waka world. Waka, traditionally, the height of the language power of the reigning royal aristocratic community, faced an unprecedented crisis. It can be said that the reclusive literary characteristics of Saigyo, which remained in the change of central literature, expected the path of Waka discourse to be inherited by entrusting the evaluation of which attempted an un conventional composition. This study examined the overall impression of the poetical idea Kokoro(��), choice of poetic language Kotoba(�~) and the aesthetics and evaluation criteria in the three areas of Sugata(��). Teika, conclusionally, made effort not only styles of Waka poetry, but also the evaluation of poetic dictions. There was re-examining awareness of Saigyo as a religious and artistic beliefs and Teika��s with a deep artistic concept.