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Most Korean traditional musical instruments currently being played are introduced from Chinese ancient musical instruments. Except for a few musical instruments such as gayageum, geomungo, and daegeum, all of the Korean traditional musical instruments were imported from China.
In history, there have been musical instruments in China since 6,000 B.C. Among them are the Indian musical instruments brought with the introduction of Buddhism from India. The names of Indian musical instruments are replaced by the names of Chinese musical instruments as the Buddhist Scriptures have been translated into Chinese. The representative examples are the ancient musical instrument Vinna of South India and Sidal of North India. These musical instruments are Indian musical instruments passed to China along with Buddhism. In the process of being translated into Chinese, the musical instruments�� names were changed to gonghu, yurigeum, and bipa in Chinese.
There are many musical instrument names in the Chinese version of Buddhist Scriptures. Most of the ancient musical instruments in China are recorded there. They are introduced as musical instruments for playing Buddhist music. Among these instruments, there are musical instruments that are compatible with Korean traditional musical instruments currently being played in Korea.
The history of the musical instruments that have come to Korea from China is sometimes said to begin with the introduction of Daesung Aak (������) of the Song Dynasty in AD 1114. However, earlier in the year of AD 372, Buddhism was introduced to Korea, and the names of musical instruments were probably transmitted through the Buddhist Scriptures.
It is not certain yet which Buddhist Scriptures came first, but it is certain that the Buddhist scriptures existed before the instruments came in from China. Therefore, the names of Chinese musical instruments in Korea began to be introduced by the Buddhist scriptures. Given that these instruments are currently being played as traditional Korean instruments, this study comes to the conclusion that the names of Korean musical instruments were first known through the Buddhist scriptures.
This study firstly aims to identify the fact that the names of the musical instruments have been recorded in the Buddhist Scriptures and handed down. Next, it aims to identify the kinds of musical instruments used in the performance as the national musical instruments in Korea among the instruments recorded in the Buddhist Scriptures. Through this study, it aims to reveal the fact that ancient Indian and Chinese musical instruments, which were played in Buddhist music, were introduced to Korea and are now being used as Korean traditional musical instruments.