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This paper examines the issues of mimesis and post-mimesis, focusing on Gilles Deleuze��s elaboration on art. Deleuze explores the possibility of post-mimesis aesthetics to transcend modern aesthetics of mimesis, especially delving into the relationship of the reality and its dimension of potentiality. Deleuze��s reflection on art is connected to his aesthetic perception and his thinking about the existence of objects. For Deleuze, art has a unique position linked both with the ontological layer and the epistemological layer. For Deleuze, the world is not merely reduced to a perceived world that is visible. The perceived reality is only a visible part of the whole world, and it is constituted by accident and by specific occasions and arrangements. Only power forms the world. The world is a constituent of forces. The Deleuzean concept of the plane of consistency is unique in that it indicates how the contingent presence of the world is made possible as a constituent of these forces. The forces constitute the world, but their forces do not exist in depth apart from the world they comprise. The forces exist only in the surface of the world. In this respect, Deleuze is a philosopher of the surface, but the surface at this time is the surface as the field in which the force is actualized.