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๊ฒ€์ฆ๋œ ํŒŒํŠธ๋„ˆ ์ œํœด์‚ฌ ์ž๋ฃŒ

์ด๋ๅฉ์—ด์˜ ใ€Žํ™ฉ์ œ๋ฅผ ์œ„ํ•˜์—ฌใ€์™ฟ’ ์œˆ ๋ฆฌ์–ด์šฐ์™ฟ’๋ฆฐ์˜ ใ€Žํ‰ํ–‰์„ ์ƒ์˜ ๋ฏผ์ฃผ์ฃผ์˜ใ€:ํ•œยทํƒœ ์†Œ์„ค์— ๋‚˜ํƒ€๋‚œ ์นด์˜ค์Šค ๋น„๊ต (Moonyeol Yi's For the Emperor and Win Lyovarin's Democracy on Parallel Paths: A Comparison of Chaos represented in the novel of Korea and Thailand.)

22 ํŽ˜์ด์งฟ’
๊ธฐํƒ€ํŒŒ์ผ
์ตœ์ดˆ๋“ฑ๋ก์ผ 2025.04.26 ์ตœ์ข…์ ฟ’์ž‘์ผ 2011.02
22P ๋ฏธ๋้ฉ๋ณด๊ธฐ
์ด๋ๅฉ์—ด์˜ ใ€Žํ™ฉ์ œ๋ฅผ ์œ„ํ•˜์—ฌใ€์™ฟ’ ์œˆ ๋ฆฌ์–ด์šฐ์™ฟ’๋ฆฐ์˜ ใ€Žํ‰ํ–‰์„ ์ƒ์˜ ๋ฏผ์ฃผ์ฃผ์˜ใ€:ํ•œยทํƒœ ์†Œ์„ค์— ๋‚˜ํƒ€๋‚œ ์นด์˜ค์Šค ๋น„๊ต
  • ๋ฏธ๋้ฉ๋ณด๊ธฐ

    ์„œ์่ง์ •๋ต–

    ยท ๋ฐœํ–‰๊ธฐ๊ด€ : ํ•œ๊ตญ์™ธ๊ตญ์–ด๋Œ€ํ•™๊ป“ ์™ธ๊ตญ๋ฌธํ•™์—ฐ๊ตฌ์†Œ
    ยท ์ˆ˜๋ก์ง€ ์ •๋ณด : ์™ธ๊ตญ๋ฌธํ•™์—ฐ๊ตฌ / 41ํ˜ธ / 491 ~ 512ํŽ˜์ด์งฟ’
    ยท ์ €์ž๋ช… : ์ตœ๋‚œ์˜ฅ

    ์ดˆ๋ก

    ์ด๋ๅฉ์—ด์˜ ใ€Žํ™ฉ์ œ๋ฅผ ์œ„ํ•˜์—ฌใ€์™ฟ’ ์œˆ ๋ฆฌ์–ด์šฐ์™ฟ’๋ฆฐ์˜ ใ€Žํ‰ํ–‰์„ ์ƒ์˜ ๋ฏผ์ฃผ์ฃผ์˜ใ€์— ๋‚˜ํƒ€๋‚œ ์นด์˜ค์Šค ํ˜„์ƒ์— ๋Œ€ํ•ด ์‚ดํŽด๋ณด์•˜๋‹ค. ์ด ๋‘ ์žฅํŽธ์†Œ์„ค์€ ๊ณตํ†ต์ ์œผ๋กœ ์‚ฌ๊ฑด ์ „๊ฐœ๋ฅผ ์ด๋„๋Š” ํ—ˆ๊ตฌ์˜ ์ธ๋ฌผ์ด ์–‘๊ตญ์˜ ๊ทผํ˜„๋Œ€์‚ฌ์— ์ ‘๋ชฉ๋˜์–ด ํ˜•์ƒํ™”๋˜์–ด์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ํ—ˆ๊ตฌ์˜ ์ธ๋ฌผ๊ณผ ์‹ค์ œ ์ธ๋ฌผ ๊ทธ๋ฆฌ๊ณ  ํ—ˆ๊ตฌ์ ์ธ ๋‚ด์šฉ๊ณผ ์—ญ์‚ฌ์  ์‚ฌ์‹ค์ด ํ˜ผ์žฌ๋œ ์–‘์ƒ์ด ๋“œ๋Ÿฌ๋‚œ๋‹ค. ์ด ๋‘ ์†Œ์„ค์—์„œ๋Š” ๋ฌด์งˆ์„œํ•œ ํ˜ผ๋ˆ์˜ ์ƒํ™ฉ์ด ๊ทน์— ๋‹ฌํ•  ๊ฒฝ์šฐ ๋‹ค์‹œ ๋ณธ๋ž˜๋Œ€๋กœ ๋Œ์•„๊ฐ€๋Š” ํ˜„์ƒ์ด ๋ณด์ธ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ณผ๊ฑฐ ์›์ ์œผ๋กœ์˜ ํšŒ๊ท€๋ผ๋Š” ์˜๋ฏธ๊ฐ€ ์•„๋‹ˆ๋ผ ์‹œ๋Œ€์˜ ๋ณ€ํ™”์— ๋”ฐ๋ฅธ ํ˜„์‹ค ์ƒํ™ฉ์ด ํ•จ๊ป˜ ๊ณ ๋ ค๋œ๋‹ค๋Š” ์ ์—์„œ ํ˜„์‹ค์„ฑ์„ ๋ณด์ธ๋‹ค.
    ์‚ฌ๋žŒ์˜ ์ธ๋‚ด๊ฐ€ ํ•œ๊ณ„์— ๋‹ฌํ–ˆ์„ ๋•Œ๋‚˜ ์‚ฌ๊ฑด์ด ํฌํ™” ์ง€์ ์— ๋‹ค๋‹ค๋ฅด๋ฉด ํญ๋ฐœ์ด๋‚˜ ํŒŒ๊ดด๊ฐ€ ์ผ์–ด๋‚˜๊ณ  ๋‹ค์‹œ ์ƒˆ๋กœ์šด ๊ฒƒ์„ ์ฐพ์•„ ์งˆ์„œ๋ฅผ ์œ ์ง€ํ•˜๋ ค๋Š” ํ˜„์ƒ์ด ๋“œ๋Ÿฌ๋‚œ๋‹ค. ์ด๋Ÿฌํ•œ ์›๋™๋ ฅ์€ ์‚ฌ๋žŒ์ด ์ƒ๋ช…์˜ ์œ ํ•œ์„ฑ์— ๋Œ€ํ•ด ์ธ์‹ํ•˜๋Š” ์ž์„ธ์—์„œ ์ฐจ์ด๋ฅผ ๋ณด์ธ๋‹ค. ์‚ฌ๋žŒ์ด ์ƒ๋ช…์˜ ์œ ํ•œ์„ฑ์„ ํ˜„์‹ค์„ธ๊ณ„์—์„œ ๋ฌดํ•œํ•˜๊ฒŒ ํ•˜๋ ค๊ณ  ์š•์‹ฌ์„ ๋ถ€๋ฆด ๋•Œ ๊ณต๋™์ฒด ์‚ฌํšŒ๋Š” ์–ด์ง€๋Ÿฌ์›Œ์ง€๊ณ  ๊ทธ ๊ฒฐ๊ณผ ํ˜ผ๋ˆ์˜ ์–‘์ƒ์ด ์ƒ๊ธด๋‹ค. ๋ฐ˜๋ฉด ์‚ฌ๋žŒ์ด ํ˜„์‹ค์„ธ๊ณ„์—์„œ์˜ ์ƒ๋ช…์˜ ์œ ํ•œ์„ฑ์„ ์ธ์‹ํ•˜๊ณ  ์ˆ˜์šฉํ•  ๋•Œ ์ด๋Ÿฌํ•œ ํ˜ผ๋ˆ์€ ๋๋‚˜๊ณ  ์ƒˆ๋กœ์šด ์งˆ์„œ๊ฐ€ ๋‚˜ํƒ€๋‚œ๋‹ค.

    ์˜์–ด์ดˆ๋ก

    I explored the phenomenon of chaos represented in Moonyeol Yi's For the Emperor and Win Lyovarin's Democracy on Parallel Paths. These two long novels have been given shape to put a graft into the modern history of two countries with the fact that a main character is imaginary one in common. Accordingly, these novels reveal the aspects mixed with a fictitious character, a real character, a fictitious content and a historical fact. They show the originally returning phenomenon when the situation of disorderly chaos reaches its climax. However, it does not mean to return to the starting point but show reality in the fact that reflects the real situation by the change of the times.
    When people's endurance reaches the highest limit and the saturation point, explosion and destroy occur and the tendency to pursue the new order takes place after those. This motive power shows the discrepancy of the attitude that people perceive limitedness of their life. A communal society comes to confuse and has the disorderly aspect when people have a desire to make limitedness of their life limitless. On the contrary, this chaos finishes and shows the new order when people recognize limitedness of their life and accept it in the real world.

    ์ฐธ๊ณ ์ž๋ฃŒ

    ยท ์—†์Œ
  • ์ž์ฃผ๋ฌป๋Š”์งˆ๋ๅฉ์˜ ๋‹ต๋ณ€์„ ํ™•์ธํ•ด ์ฃผ์„ธ์š”

    ํ•ดํ”ผ์บ ํผ์Šค FAQ ๋”๋ณด๊ธฐ

    ๊ผญ ์•Œ์•„์ฃผ์„ธ์š”

    • ์ž๋ฃŒ์˜ ์ •๋ณด ๋ฐ ๋‚ด์šฉ์˜ ์ง„์‹ค์„ฑ์— ๋Œ€ํ•˜์—ฌ ํ•ดํ”ผ์บ ํผ์Šค๋Š” ๋ณด์ฆํ•˜์ง€ ์•Š์œผ๋ฉฐ, ํ•ด๋‹น ์ •๋ณด ๋ฐ ๊ฒŒ์‹œ๋ฌผ ์ €์ž‘๊ถŒ๊ณผ ๊ธฐํƒ€ ๋ฒ•์  ์ฑ…์ž„์€ ์ž๋ฃŒ ๋“ฑ๋ก์ž์—๊ฒŒ ์žˆ์Šต๋‹ˆ๋‹ค.
      ์ž๋ฃŒ ๋ฐ ๊ฒŒ์‹œ๋ฌผ ๋‚ด์šฉ์˜ ๋ถˆ๋ฒ•์  ์ด์šฉ, ๋ฌด๋‹จ ์ „์žฌโˆ™๋ฐฐํฌ๋Š” ๊ธˆ์ง€๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
      ์ €์ž‘๊ถŒ์นจํ•ด, ๋ช…์˜ˆํ›ผ์† ๋“ฑ ๋ถ„์Ÿ ์š”์†Œ ๋ฐœ๊ฒฌ ์‹œ ๊ณ ๊ฐ๋น„๋ฐ”์นด์ง€๋…ธ Viva์˜ ์ €์ž‘๊ถŒ์นจํ•ด ์‹ ๊ณ ๋น„๋ฐ”์นด์ง€๋…ธ Viva๋ฅผ ์ด์šฉํ•ด ์ฃผ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
    • ํ•ดํ”ผ์บ ํผ์Šค๋Š” ๊ตฌ๋งค์ž์™ฟ’ ํŒ๋งค์ž ๋ชจ๋‘๊ฐ€ ๋งŒ์กฑํ•˜๋Š” ์„œ๋น„์Šค๊ฐ€ ๋˜๋„๋ก ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์•„๋ž˜์˜ 4๊ฐ€์ง€ ์ž๋ฃŒํ™˜๋ถˆ ์กฐ๊ฑด์„ ๊ผญ ํ™•์ธํ•ด์ฃผ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
      ํŒŒ์ผ์˜ค๋ฅ˜ ์ค‘๋ณต์ž๋ฃŒ ์ €์ž‘๊ถŒ ์—†์Œ ์„ค๋ช…๊ณผ ์‹ค์ œ ๋‚ด์šฉ ๋ถˆ์ผ์น˜
      ํŒŒ์ผ์˜ ๋‹ค์šด๋กœ๋“œ๊ฐ€ ์ œ๋Œ€๋กœ ๋˜์ง€ ์•Š๊ฑฐ๋‚˜ ํŒŒ์ผํ˜•์‹์— ๋งž๋Š” ํ”„๋กœ๊ทธ๋žจ์œผ๋กœ ์ •์ƒ ์ž‘๋™ํ•˜์ง€ ์•Š๋Š” ๊ฒฝ์šฐ ๋‹ค๋ฅธ ์ž๋ฃŒ์™ฟ’ 70% ์ด์ƒ ๋‚ด์šฉ์ด ์ผ์น˜ํ•˜๋Š” ๊ฒฝ์šฐ (์ค‘๋ณต์ž„์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ ํ•„์š”ํ•จ) ์ธํ„ฐ๋„ท์˜ ๋‹ค๋ฅธ ์‚ฌ์ดํŠธ, ์—ฐ๊ตฌ๊ธฐ๊ด€, ํ•™๊ป“, ์„œ์  ๋“ฑ์˜ ์ž๋ฃŒ๋ฅผ ๋„์šฉํ•œ ๊ฒฝ์šฐ ์ž๋ฃŒ์˜ ์„ค๋ช…๊ณผ ์‹ค์ œ ์ž๋ฃŒ์˜ ๋‚ด์šฉ์ด ์ผ์น˜ํ•˜์ง€ ์•Š๋Š” ๊ฒฝ์šฐ

โ€œ์้™๊ตญ๋ๅฉํ•™์—ฐ๊ตฌโฟ’์˜ ๋‹ค๋ฅธ ๋…ผ๋ๅฉ๋„ ํ™•์ธํ•ด ๋ณด์„ธ์š”!

๋ฌธ์„œ ์ดˆ์•ˆ์„ ์ƒ์„ฑํ•ด์ฃผ๋Š” EasyAI
์•ˆ๋…•ํ•˜์„ธ์š”. ํ•ดํ”ผ์บ ํผ์Šค์˜ ๋ฐฉ๋Œ€ํ•œ ์ž๋ฃŒ ์ค‘์—์„œ ์„ ๋ณ„ํ•˜์—ฌ ๋‹น์‹ ๋งŒ์˜ ์ดˆ์•ˆ์„ ๋งŒ๋“ค์–ด์ฃผ๋Š” EasyAI ์ž…๋‹ˆ๋‹ค.
์ €๋Š” ์•„๋ž˜์™ฟ’ ๊ฐ™์ด ์ž‘์—…์„ ๋„์™ฟ’๋“œ๋ฆฝ๋‹ˆ๋‹ค.
- ์ฃผ์ œ๋งŒ ์ž…๋ ฅํ•˜๋ฉด ๋ชฉ์ฐจ๋ถ€ํ„ฐ ๋ณธ๋ฌธ๋‚ด์šฉ๊นŒ์ง€ ์ž๋™ ์ƒ์„ฑํ•ด ๋“œ๋ฆฝ๋‹ˆ๋‹ค.
- ์žฅ๋ฌธ์˜ ์ฝ˜ํ…์ธ ๋ฅผ ์‰ฝ๊ณ  ๋น ๋ฅด๊ฒŒ ์ž‘์„ฑํ•ด ๋“œ๋ฆฝ๋‹ˆ๋‹ค.
- ์Šคํ† ์–ด์—์„œ ๋ฌด๋ฃŒ ์บ์‹œ๋ฅผ ๊ณ„์ •๋ณ„๋กœ 1ํšŒ ๋ฐœ๊ธ‰ ๋ฐ›์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ง€๊ธˆ ๋ฐ”๋กœ ์ฒดํ—˜ํ•ด ๋ณด์„ธ์š”!
์ด๋Ÿฐ ์ฃผ์ œ๋“ค์„ ์ž…๋ ฅํ•ด ๋ณด์„ธ์š”.
- ์œ ์•„์—๊ฒŒ ์ ํ•ฉํ•œ ๋ฌธํ•™์ž‘ํ’ˆ์˜ ๊ธฐ์ค€๊ณผ ํŠน์„ฑ
- ํ•œ๊ตญ์ธ์˜ ๊ฐ€์น˜๊ด€ ์ค‘์—์„œ ์ •์‹ ์  ๊ฐ€์น˜๊ด€์„ ์ด๋ฃจ๋Š” ๊ฒƒ๋“ค์„ ๋ฌธํ™”์  ๋ฌธ๋ฒ•์œผ๋กœ ์ •๋ฆฌํ•˜๊ณ , ํ˜„๋Œ€ํ•œ๊ตญ์‚ฌํšŒ์—์„œ ์ผ์–ด๋‚˜๋Š” ์‚ฌ๊ฑด๊ณผ ์‚ฌ๊ณ ๋ฅผ ๋น„๊ตํ•˜์—ฌ ์ž์‹ ์˜ ์˜๊ฒฌ์œผ๋กœ ๊ธฐ์ˆ ํ•˜์„ธ์š”
- ์ž‘๋ณ„์ธ์‚ฌ ๋…ํ›„๊ฐ
ํ•ด์บ  AI ์ฑ—๋ด‡๊ณผ ๋Œ€ํ™”ํ•˜๊ธฐ
์ฑ—๋ด‡์œผ๋กœ ๊ฐ„ํŽธํ•˜๊ฒŒ ์ƒ๋‹ดํ•ด๋ณด์„ธ์š”.
2025๋…„ 06์›” 12์ผ ๋ชฉ์š”์ผ
AI ์ฑ—๋ด‡
์•ˆ๋…•ํ•˜์„ธ์š”. ํ•ดํ”ผ์บ ํผ์Šค AI ์ฑ—๋ด‡์ž…๋‹ˆ๋‹ค. ๋ฌด์—‡์ด ๊ถ๊ธˆํ•˜์‹ ๊ฐ€์š”?
9:23 ์˜คํ›„