??? ???? ? ????? ??? (The Golgye-mi of Joseon Gisaeng from a Convergent Perspective)

??? ?? ??? ??? ????? ???? ��???��? ???? ??? ???? ??? Ԋ? ???? ��??��?? ??? ?? ??? ?? ??? ???? ? ??. ? ? ??? ??? ??? ?? ??? ???? ???? ?? ??? ???? ??. ??? ??? ???? ??? ??? ?? ??? ???.
??? ??? ???? ???? ?? ??? ??? ??? ???? ???? ??? ???? ?? ???? ??? ?? ???? ???? ??? ?? ??? ???? ??? ??. ??? ?? ??? ???? ??? ???? ???? ?? ??? ???? ???? ??? ??? ??? ???? ???? ??? ??? ???? ???.
???? ???? ?? ???? ???? ??? ???? ?? ??? ????? ???? ?? ????, ????? ?????? ???? ??? ??? ???? ?? ?? ??? ??? ??? ??? ??? ???. ?? ?? ??? ? ??? ??? ????? ??? ??? ??? ??? ?????? ??? ??? ????, ??? ?? ??? ??? ??? ??? ?? ??? ?? ??? ??? ?? ??? ????.
??? ?? ??? ??? ??? ?? ??? ??? ???? ��???????�� ???(??????, 1992)? ???.
? ???? ??? ???? ??? ????? ??? ???? ?? ??? ???? ??? ???? ???, ???, ??? ??? ??? ???? ??? ??? ???.

Interest in gisaengs who have been in charge of poetry has deepened, and serious discussions on the entire gisaeng culture have continued by expanding the scope of interest, focusing on love that is free from the gisaeng��s job. However, it is difficult to find studies on the golgye they showed in connection with the identity of gisaeng, focusing on the lifestyles of gisaengs from a convergent perspective. Gisaengs not only properly expressed their aesthetic consciousness through sijo but also protested non-human life as humans, were dissatisfied with male-led sexual oppression as women, and showed the appearance of convergent subjects against the longitudinal status order as gisaengs. In particular, they mentioned that there was a saying that gisaengs looked at gisaengs�� clothing, language, and behavior to judge the rise and fall of a country, and in gisaeng culture, it is not a waste of money to be humorous. In summary, this study was intended to discuss the golgyemi related to the identity of the gisaeng, who must provide not only national entertainment but also the entertainment of society, using a fusion method that combines human, feminine, and gisaeng aspects.