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????? 2025.05.05 ????? 2020.04
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    There are various characters in Yuan(元) Zaju(雜劇). And each of these characters plays an important role in the work. What is undeniable, however, is that the perfection of a piece can never be formed through any one character. The bawd in Yuan(元) Zaju(雜劇) not only serves to make the love story between a man of learning and Gisaeng interesting but also reflects the absurdity of Yuan dynasty. As a result, the following conclusions were reached. First, The bawd in Yuan(元) Zaju(雜劇) play an important role in the separation of scholars and parasites. The work wanted to show the seriousness of the destruction of human emotions by considering money as important through the appearance of The bawd in Yuan(元) Zaju(雜劇). Secondly, In terms of characterization, The bawd in Yuan(元) Zaju(雜劇) was described as a money-loving figure, lost the instinct of motherhood and a missing female figure.
    To sum up, This study confirmed that The bawd in Yuan(元) Zaju(雜劇) can be seen as the development of commodity economy and the money-loving phenomenon resulting from it, and the condensation of the face of the era of the collapse of Chinese orthodox ethics.

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    There are various characters in Yuan(元) Zaju(雜劇). And each of these characters plays an important role in the work. What is undeniable, however, is that the perfection of a piece can never be formed through any one character. The bawd in Yuan(元) Zaju(雜劇) not only serves to make the love story between a man of learning and Gisaeng interesting but also reflects the absurdity of Yuan dynasty. As a result, the following conclusions were reached. First, The bawd in Yuan(元) Zaju(雜劇) play an important role in the separation of scholars and parasites. The work wanted to show the seriousness of the destruction of human emotions by considering money as important through the appearance of The bawd in Yuan(元) Zaju(雜劇). Secondly, In terms of characterization, The bawd in Yuan(元) Zaju(雜劇) was described as a money-loving figure, lost the instinct of motherhood and a missing female figure.
    To sum up, This study confirmed that The bawd in Yuan(元) Zaju(雜劇) can be seen as the development of commodity economy and the money-loving phenomenon resulting from it, and the condensation of the face of the era of the collapse of Chinese orthodox ethics.

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