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This study aims to organize and analyze the various complements presented in Fengshui books and by Fengshui masters. Different terms related to human-made complements frequently appear in these texts, including Wei( ‘), Caicheng(²Ã³É), Caijian(²Ã¼ô), Zaozuo(Ôì×÷), Facai(·¨²Ã), Gongli(¹¤Á¦), Rengong(È˹¤), Jiancai(¼ô²Ã), and Renzuo(ÈË×÷). Among these, Caicheng is the most significant as it means planning, cutting, and making. This term originated from the Overall Image of Tai Hexagram(Ì©ØÔÏó‚÷) in the Book of Changes. Over time, these human-made complements have evolved, and the expression methods have expanded and diversified. Numerous Fengshui books, such as Cheong-o-gyeong(ìižõ½›), Geumnang-gyeong(å\ÄÒ½›), Seolsim-bu(Ñ©ÐÄÙx), Balmi-ron(°l΢Փ), Jirisinbeop(µØÀíз¨), Tak-ok-bu(×ÁÓñ¸«), Injasuji(ÈË×ÓíšÖª), and sanbeopjeonseo(ɽ·¨È«•ø), illustrate these terms and methods. Notably, Xu Zhimo(Ðì֮Ī) from the Ming Dynasty and Meng Tianji(ÃÏÌì»ù) from the Qing Dynasty embraced the arguments presented in Seolsim-bu and further developed them. As a result, the terms and methods related to complements have been introduced and refined across various Fengshui texts, indicating a continuous evolution in this field.