���F�桹 ?? ?? �����ڡ�?�ɱ��[��? ��?? ��??? ??��?��? ????? (Absence Stronger than Presence -Focusing on ��The Legend of the Kokura-Diary�� by Seich�� Matsumoto(�ɱ��又)-)

��??��?????��?��(��롸С�}��ӛ������)? ???? ???(�ɱ��又)? ?????��????(������ѧ)��1952? 9??? ???? ?? ? ��28�� �洨�p? ????.
��??��?????��?��? ?? ???? ???? ???? ???? ??? ???? ??? ? ???. ??? ???? 40?? ??? ?? ????? ???? ?? ??? ???? ??? ??? ???. ??? ??? ? ?? ????? ??? ??????? ??, ?? ?????? ???? ?? ????? ??.
?? ???? �[��? ???,��??��?? ???? ????. ??? ??? ??? ????? ???? ??? ????? ? ? ??. ??? ?? ??? ??? ??. ??? ?? ??? ???? ??? ???? ???? ? ? ??. ???? ?????? ???? ???? ??, ????? ???? ?? ??? ???? ? ? ???. ��??? ?? ??? ? ?? ??��? ?? ??, ???, ??????, ??? ????��??? ?? ??? ?��?? ?? ??? ???? ????. ??? ??? ??? ???? ????��??��???? ???? ??? �[��??,��??��??? ???? ??? ??? ???? ?? ??? ???? ? ? ???.

��The Legend of the Kokura-Diary�� (����롺С�}��ӛ������) is a short story written by Seich�� Matsumoto (�ɱ��又), which was published in the September 1952 issue of Mita Bungaku (��������ѧ��) and won the author the 28th Akutagawa Prize next year.
There are various ways to approach the story. ��The Legend of the Kokura-Diary�� can be read as a psychological story, a historical story, a model story, and a biographical story. These readings might have derived from the author��s efforts and struggle to become a full-time writer in his mid 40s. It might be natural that the short story was his main genre because as a budding writer he had to make a livelihood by writing, and it is also a tendency found among many writers in their nascent stage of career.
There are many incidents of the author��s intentional discrepancy in the story. In connection with the author��s intention, this can be a technique to reinforce the zest and significance of the story. It is a device for reinforcement or omission for the work, underscoring discrimination, gaps, and human frustration. It tells about the intention of the author to intensify or heighten the reality, which he had experienced from his life that had been suppressed for a long time.
��The human being breathing in modern organizations�� perhaps represents the author himself, who has been ��breathing in modern organizations�� in the form of an office boy, a printer, an employee at the newspaper advertising department, and a soldier. For Seich�� who represented ��human beings�� in diverse forms, these autobiographical elements provided the foundation to understand ��a human being�� himself and look into his inner desires and anxieties.