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????? 2025.05.27 ????? 2019.10
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    (Background and purpose) Experimentation on the use and combination of a wide range of media to expand experiences in space is considered an important attempt in displaying the space design. The ¡°Non-linear Narrative¡± allows us to understand changes in the media environment from a variety of perspectives regarding the types that are believed to be commercially and culturally significant. The changed phenomenon of media is emerging as the fastest and most prominent aspect of fashion in various social fields. The space of modern fashion shows has some emotions such as sensitivity, feeling, and impression as a flexible shape that can interact with others and recognize infinite values, moving away from a narrative-centered position. In the light of the above, this study aimed to derive new value characteristics and to present another new direction for non-linear and integrated interaction and sympathy by applying unpredictable non-linear narrative characteristics to the space of modern fashion shows. (Method) The researcher first conducted a theoretical review of the concept of narrative and the flow of the past and present and derived Theodor Nelson¡¯s non-linearity, interactivity, and borderlessness of hypertext and Henry Jenkins¡¯ expandability, hybridity, and narrativity of trans-media narrative as the characteristics of non-linear narrative. The elements of fashion shows were categorized into flat, three-dimensional, and spatial languages and then analyzed using a case analysis (within the past two years) on how six non-linear narrative features are applied to the space of modern fashion shows, leading to a new value representation method that focuses on fashion shows for different luxury brands. (Results) The study found that the spaces of modern fashion shows have the characteristics of non-linear and interactive spaces. In addition, narrativity in total defection (which encourages audiences to move on to other related narratives), hybridity of integrated points of contact in numberless non-linear narrative elements selected through interaction with audiences, discontinuous expandability of variable spaces such as the extinction of things that existed in ideological form, negativity of traditionality, and borderlessness of re-purposing through the formation of new narratives by the audiences in an unbounded space were derived as a representation method for the space of modern fashion shows. The representation method also implies functional aspects such as spatial division, induction of movement, visual interception, etc. (Conclusion) The study found that the non-linear narrative of the space of modern fashion shows is displayed through hypertextual and trans-media narrative characteristics. This study also found that the space of modern fashion shows presents a new direction for fashion show spaces with more non-linear, infinite, and integrated interactive characteristics than ever before through a hybrid change in which various media technologies and arts have been combined out of a fixed framework.

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