??? ?? ??? ¡®??¡¯ ?? (A Study of 'Laughter' in the Poem of Lee Seon-kwan)

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This study examined the laughter in Lee Seon-gwan's poems divided into one-time fake laughter, laughter in political power and criticism of the world, and laughter in language play and mockery. The depraved laughter of one-off, which is the emotional laughter he shows in poetry, is accompanied by crying, and it is ambiguous to show ambivalence. The speaker often walks through Masan¡¯s Changdong intersection to find laughter, but it was always stinginess, no laughter, no laughing, and fake laughter that came back to him.,But even in this smiley crowd, the speaker does not give up looking for laughter. He continues to pace the Changdong intersection, trying to gain a sense of stability by being pushed and pushed into the crowd.,Because being rejected for laughter means being rejected and disconnected from communication, which is causing life to be disturbed by feeling severe isolation, loneliness, and futility.
The political satire is the main reason for the laughter of political power and criticism of the situation. The political satire is the criticism of the 1970s Yushin system and the military dictatorship of the 1980s. Here, it shows its unique way of laughing through the repetitive behavior of characters, the transition from words and forms to forms. In addition, Lee criticizes the contradictions between the system of the Restoration and the dictatorship through double demotion, riddles, and repeated words and actions like machines. In other words, he uses the usual Chinese characters, jokes, and slang words to criticize and correct the absurd social reality. At this time, intertextuality shows the laughter of liberation by crossing the area of ??all hierarchy and generating or expanding differences in meaning.