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Yu ha and Jang jeong-il, 8-90 of the poetic subject's leading film and pop culture often poetic borrowing this material as an instrument of self-reflection and introspection was used. Age and a satire on civilization, and at the level of positive thinking in the target organ. However, this situation differs as it enters the 2000's. 2005 brought the first book of poetry by poets around some of the visual grammar of photography and film 'sensible' is absorbed into. Image Grammar 'intellectual reflection' rather than 'sensory-bound' was used as an instrument of. Refer here to Walter Benjamin's media theory is right.
Benjamin, the "art of the Age of Mechanical Reproduction," the transfer of information from the media than the media itself should pay attention to. The media of the human nervous system recognition technology to accept the process as described. He is particularly interested in images skewed picture of the grammar-based, technology, media, movie and it was extended. Benjamin to replicate any number of sources that can produce simulated bear pictures and movies of the cloning technology could lead to a revolutionary force for social change, I thought. Benjamin's thesis on the works of young poets from a new perspective is the basis for examining. In this paper, especially Kim haeng-suk, Lee geun-hwa, Lee jang-uk focused its analysis of the poem.
First, the poetic subject of Kim haeng-suk basically target 'out of focus' in the way of capture. Taking out of focus because the aperture to broaden the background appears blurred. The depth is shallower and highlight important targets. This recognition is subject to express yourself to absorb the force. Thus, 'leap of the sense' occurs. This will cause the animal pleasure.
Poetic subject of Lee geun-hwa captured by the target using the camera's slow shutter speed. This poetic subject can self connected regardless of the place and time. Scattered 'self' are all connected together. Then, it is absorbed into the possibility of the poetic subject. Kim haeng-suk leap 'out focused' destination by highlighting the features of a more vertical, then Lee geun-hwa extend scattered horizontal dimension of self to the long lines. Thus extends the power of the poetic subject. We feel from the poetic subject of Kim haeng-suk intense pathos, the poetic subject of Lee geun-hwa soft and warm. All the poetic subject is the result of absorbing characteristics of the camera's media.
Meanwhile, Poetic subject of Lee jang-uk show 'slow-motion techniques' of the film. He should control his own body as mechanical. Poetic subject, in their tens of thousands of acts of dense slice. And he is very slow and precise to control. This behavior is obviously impossible in reality. Here 'languid beauty' occurs. Her poetic subject in the horizontal dimension of the long extension of the powers enjoyed sprints includes the principal, he enjoys his power to break it down tightly. He should control himself as slow as possible. And in the same way he shows the world the derivative.
The work of a poet named principal changes in form ego to subject than form ego to the larger ego. Kim haeng-suk's 'leap', Lee geun-hwa's 'extention', Lee jang-uk's 'differential' widens the powers of the poetic subject. They introduced an expanded capacity of the poetic subject to change in any way characteristic of the times to accept the media for what will be recorded in one case.