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Shin Dong-yeop��s poem is characterized by a theme consciousness clearly marked by ideology orientation and a reproduction strategy in which unique historical perception functions as a methodological basis. The ideal of an operetta-like spacetime composition reflecting the organic worldview and a buffer zone through romanticized nature are key features revealed in Shin Dong-yeop��s poetry. This paper defines the core dynamics of Shin Dong-yeop as political romanticism and focuses on closely tracking the unique representation modality that appeared in Shin Dong-yeop��s poetry. In Shin Dong-yeop��s poem, nature and humans form an organic relationship, and in nature, humans form their own essence as auto-formation. The stage where the poetic consciousness is realized also goes beyond the time and space in the individual starters, showing trans-temporal, trans-spatial and trans-human characteristics. It is the logic of political romanticity that builds a temporal and spatial order on top of the actual experience and reality that is stepping against justification or abstraction. Shin Dong-yeop defines poetry in the sense of encompassing poetic drama, operetta, and long poem. Poetry is adopted as the best tool to realize true human liberation. In conclusion, Shin Dong-yeop��s poetic ideal turns out to be the logic of the revolution through political romanticity. It would be said that the theme of the dynamics of the revolution while using a representation strategy based on concrete reality is a key factor in Shin Dong-yeop��s poetry. The question poeticized by Shin Dong-yeop leaves the possibility that it can be re-approved as a topic of civilization history beyond literary history.