??? ?? ??? ?????? ???? (The Eco-Poetics of Chaosmos Revealed on Yong-Woon Han's Poem)

This study analyzed the Han's work The Silence of Love from the view of chaosmos theory. The chaosmos and cosmos exist in a mix like the head and tail of a coin. The ¡®love' and ¡®I' in the Silence of Love has chaosmic features that cannot be defined as one meaning, and they resonate or reverberate to each other in various meanings. Like the Sanskrit syllables ¡®DA' and ¡®OM' previously discussed, they resonate through not only the relationship between ¡®love' and ¡®I' but also through the relationship between the readers and the work, and the work and the author as well. At the same time, the study clarified that not only the ¡®love' in Han's poem but the ¡®I', the poetic narrator, is a chaosimic self as well. The word, ¡®self' in here does not stand for certain ¡®self' of self-oriented, unique and limited but stands for the chaosmic self of uncertainty, difference, flexibility and complexity, and the situations including the relationship between ¡®love' and ¡®I' in the text of Han's poem describes those aspects. On the other hand, from individual works of Han's, it could be observed the concept of the nature as self-organizing and the organicism which represents that everything in the space are very equally and closely connected. This study has a meaning in that it attempted to find the eco-poetic possibilities of resonance focusing on the chaosmic ¡®love' which is the bracket itself rather than defining the identity of the ¡®love' in the bracket.

This study analyzed the Han's work The Silence of Love from the view of chaosmos theory. The chaosmos and cosmos exist in a mix like the head and tail of a coin. The ¡®love' and ¡®I' in the Silence of Love has chaosmic features that cannot be defined as one meaning, and they resonate or reverberate to each other in various meanings. Like the Sanskrit syllables ¡®DA' and ¡®OM' previously discussed, they resonate through not only the relationship between ¡®love' and ¡®I' but also through the relationship between the readers and the work, and the work and the author as well. At the same time, the study clarified that not only the ¡®love' in Han's poem but the ¡®I', the poetic narrator, is a chaosimic self as well. The word, ¡®self' in here does not stand for certain ¡®self' of self-oriented, unique and limited but stands for the chaosmic self of uncertainty, difference, flexibility and complexity, and the situations including the relationship between ¡®love' and ¡®I' in the text of Han's poem describes those aspects. On the other hand, from individual works of Han's, it could be observed the concept of the nature as self-organizing and the organicism which represents that everything in the space are very equally and closely connected. This study has a meaning in that it attempted to find the eco-poetic possibilities of resonance focusing on the chaosmic ¡®love' which is the bracket itself rather than defining the identity of the ¡®love' in the bracket.