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The relationship between human beings and the world is a fundamental issue that should be covered by a literature, without being hardly written based on poet's ontological awareness and a view of the world. Therefore, the context of the time and the society is closely related with poet's view of the world as a literary environment as a significant influence on his or her life and art.
Cheongma Chihwan Yu's flow of philosophical view plays an important role in a way that metaphysical idea is demonstrated through poetic objects rather than through lyricism or linguistic aesthetics in his song of lyrics. While his early poems have been regarded as ones demonstrating ontological contradiction, this study aims to re-interpret Yu's early poems based on social context of his time and to investigate the closeness of fundamental characteristics of his poems, a passionate love and will of futility, with deistic view through the analysis of his poems. One of the reasons why he was identified to belong to School of Life is because his passionate love, full of pain for life, is characterized in his poems. Overcoming a problem of ontological fate, he focused on a life as it was in the time of being forced to seek newly for different direction of attitudes on art and reality, by reestablishing self-identity of existence within literary form looking forward so called ��the Dark Ages�� of Korean history of literature. In the 1940's, he moved to Manchuria(�M��) as if he was escaping from existential danger of the time and he began to withdraw more deeply into fundamental problems of life through deistic view and naturalistic point of view, leading to seek for overcoming the reality.
According to his viewpoint of God or space, space itself was a God as a providence of all creatures in the universe. In other words, his deistic view looks God as a potential will of spatial order, will of all creatures in a viewpoint of pancosmism, not as an existential God. In specific, facing off against the will of futility, he embodied human's will by linking ideas of ��love of life��, which was sought before he moved to Manchuria, with ideas of universe such as ��nature��, ��infinite��, ��absoluteness��, and ��eternity��. Basically, he fully demonstrated that the origin of ��free and noble will of life�� was the essence of life and the concrete content of existential morality he was exploring. Accordingly, core components such as ��heartfulness/ heartlessness/��, ��infinite/ finite��, and ��life/ futility��, groups of words that may look contradictory each other at first sight, were organically connected with a rule of universe, a stage of absolute eternity, centered with keyword of ��a life��. Furthermore, what was represented in his twelve collections of poems and two collections of essays published during all period of his life can be said to be a variation of them, connected with his unique poems of a society after the beginning of turbulent modern history, passing by the colonial period when the consciousness of life was poor and independence of Korea.