??? ¡¸???¡¹ ?? (A Study on Lee Sang¡¯s Paradise Lost)

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The Purpose of this study is to examine the characteristics of Lee Sang¡¯s Paradise Lost. Paradise Lost describes the modern world as a tragic hell. This work is especially disputative on the matter of the genre. It is because that this work has the complexity in form and content.
The chapter I covers the poetics of ¡®point¡¯ or ¡®1/¡Þ¡¯ as the universe of a monad. Lee Sang¡¯s ¡®1¡¯ is equal to ¡®¡Þ¡¯ in the case of Mirror and Self-portrait. In addition, the pointage as a technique of impressionism is the common characteristics between A Pointage of the Early Spring Days and Paradise Lost. By means of the pointage, he successes to get not only the microscopic perception but also the macroscopic perception for describing the different phases of the world.
The chapter II covers the series of six sub-texts of Paradise Lost. In each sub-test, so-called, the ¡®larva ego¡¯ as the poetic ego appears. The ¡®larva ego¡¯ is the differentiated ego according to Gilles Deleuze. On the other hand, Paradise Lost has the multi-layered structure of six sub-texts that makes this work one affiliation.
The chapter III covers the argument about the genre of Paradise Lost. But Lee Sang is not the poet that is restricted by the conservative standard of literature. This work is a kind of chaosmose that six sub-texts are osmosed each other. Chaosmose is a coinage that means something that is both cosmos and chaos. In the other hand, ¡¸Paradise Lost¡¹is a geno-text. This work is not unfinished but generating by the power of Ewige Wieder-Kunft.
In conclusion, the worth of Lee Sang¡¯s Paradise Lost shall be raised as the more valuable work in the literature history.