<???>? ?? ??? ? ???? ?? (A study on the Discourse of <ëp»¨µê> and its Literary Historical Implications)

The purpose of this study is to discover the discourse characteristics of <ëp»¨µê Ssanghwajeom> and its literary historical implications. <Ssang- hwajeom> is one of representative Goryeosokyo text with sexuality. It is about 'Three Subjects' sexual relationship', the poetic-speaker(?)', '4 different guys' and 'observers'.
This paper discovered two important things from repetition structure. First is each and every signs(???, even the places) in the text changes their position and reveals their own desire for "love". Second is to discover the identity of Rumor. Till now this text has been considered that the poetic-speaker¡¯s sexual experience spread to the public and another woman, who heard that rumor, showed her desire. This paper however discovered that's not true by two significant clues, <Samjang> poetry, which was translated second stanza of <Ssanghwajeom> in ancient Chinese and Subject, ?'s change, from people who can have feelings to things that can't have feelings at all. This paper proved that poetic-speaker's sexual desire remained as 'private sector'.
There were also literary historical implications discovered. First, private discourse of this text changes into public discourse by 'Rumor Spreading' to <Saryong>. In this process, the big issue of Sexual desire transfers to the matter of 'trust'. At the same time, poetic-speaker and 4guys' sexual relationship in <Ssanghwajeom> changes into the relationship between 'the king' and 'a girl¡¯ in <Saryong>. Finally it turns into Songs of Praise about the king in <Ssanghwagok>. This discovered phenomenon happened by the influence of extra structure of text, Confucian scholars' viewpoint in Choseon Dynasty. Second, the matter of 'trust' in <Saryong> changes its aesthetical meaning once again in Saseolsijo. In Saseolsijo, the meaning of 'trust' becomes relatively weaker than other texts which are related to <Ssanghwagok> by appearance of unusual sign language, the play of the Signifed, the creation of unreal world, etc. Instead it creates the laughter of nonsense and the vacancy of meaning in the text.

The purpose of this study is to discover the discourse characteristics of <ëp»¨µê Ssanghwajeom> and its literary historical implications. <Ssang- hwajeom> is one of representative Goryeosokyo text with sexuality. It is about 'Three Subjects' sexual relationship', the poetic-speaker(?)', '4 different guys' and 'observers'.
This paper discovered two important things from repetition structure. First is each and every signs(???, even the places) in the text changes their position and reveals their own desire for "love". Second is to discover the identity of Rumor. Till now this text has been considered that the poetic-speaker¡¯s sexual experience spread to the public and another woman, who heard that rumor, showed her desire. This paper however discovered that's not true by two significant clues, <Samjang> poetry, which was translated second stanza of <Ssanghwajeom> in ancient Chinese and Subject, ?'s change, from people who can have feelings to things that can't have feelings at all. This paper proved that poetic-speaker's sexual desire remained as 'private sector'.
There were also literary historical implications discovered. First, private discourse of this text changes into public discourse by 'Rumor Spreading' to <Saryong>. In this process, the big issue of Sexual desire transfers to the matter of 'trust'. At the same time, poetic-speaker and 4guys' sexual relationship in <Ssanghwajeom> changes into the relationship between 'the king' and 'a girl¡¯ in <Saryong>. Finally it turns into Songs of Praise about the king in <Ssanghwagok>. This discovered phenomenon happened by the influence of extra structure of text, Confucian scholars' viewpoint in Choseon Dynasty. Second, the matter of 'trust' in <Saryong> changes its aesthetical meaning once again in Saseolsijo. In Saseolsijo, the meaning of 'trust' becomes relatively weaker than other texts which are related to <Ssanghwagok> by appearance of unusual sign language, the play of the Signifed, the creation of unreal world, etc. Instead it creates the laughter of nonsense and the vacancy of meaning in the text.