??(�) ??? ��??��??? ????? ?? �� ???? ??? ??? (On the 'Western' reenactment of Ang Lee Film and Decolonistic criticism)

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Ang Lee movies are divided into a Hwa-eo movie and a Hollywood English movie. We find the Eastern and Western colonial and decolonistic rituals interspersed in criticism and study of film text, context and cinematic works. He is located between China��s demand for grand unity and Western irreverent ignition consciousness. In his film, the empire and colonial consciousness represented by China and the West, and the decolonization consciousness that wants to go beyond it, are in flux. This paper speculates on his cultural location and focuses on the problems of colonial and decolonization, focusing on Hollywood English films. In particular, he finds traces of the disintegration of colonial discourse amid the resistance and rebellion of non-Western hitters in the West, and the shaky identity of the West. The West in the East and the East in the West, which he reproduces, are sometimes strongly criticized, sometimes divisive, and sometimes crosses his Eastern and Western consciousness.