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T. S. ์—˜๋ฆฌ์—‡-[์‚ฐ๋ๅฉ์„ ์ง‘]

์ด ๊ธ€์€ T. S. ์—˜๋ฆฌ์—‡์˜ [์‚ฐ๋ๅฉ์„ ์ง‘] ๊ฐ€์šด๋ฐ ํ”„๋žญํฌ ์ปค๋ชจ๋“œ์˜ ์„œ๋ก ๊ณผ ์—˜๋ฆฌ์—‡์˜ ํ˜•์ด์ƒํ•™ํŒŒ ์‹œ์ธ๋“ค ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ด์ธ ๋ฅผ ์†Œ๊ฐœํ•˜๊ณ  ์žˆ๋‹ค
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์ตœ์ดˆ๋“ฑ๋ก์ผ 2008.04.15 ์ตœ์ข…์ ฟ’์ž‘์ผ 2008.04
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T. S. ์—˜๋ฆฌ์—‡-[์‚ฐ๋ๅฉ์„ ์ง‘]
  • ๋ฏธ๋้ฉ๋ณด๊ธฐ

    ์†Œ๊ฐœ

    ์ด ๊ธ€์€ T. S. ์—˜๋ฆฌ์—‡์˜ [์‚ฐ๋ๅฉ์„ ์ง‘] ๊ฐ€์šด๋ฐ ํ”„๋žญํฌ ์ปค๋ชจ๋“œ์˜ ์„œ๋ก ๊ณผ ์—˜๋ฆฌ์—‡์˜ ํ˜•์ด์ƒํ•™ํŒŒ ์‹œ์ธ๋“ค ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ด์ธ ๋ฅผ ์†Œ๊ฐœํ•˜๊ณ  ์žˆ๋‹ค

    ๋ชฉ์ฐจ

    ์—†์Œ

    ๋ณธ๋ๅฉ๋‚ด์šฉ

    * ๋ณ€ํ™”๋ฅผ ๋‘๋ ค์›Œํ•  ์ˆ˜ ์žˆ๋Š” ์„ธ๊ณ„์˜ ์ •์‹ ์€ ์–ด๋””์ธ๊ฐ€?
    ๋ณ€ํ™”๋ฅผ ๋‘๋ ค์›Œํ•  ์ˆ˜ ์žˆ๋Š” ์ •์‹ ์€ ์œ ๋Ÿฝ์˜ ์ •์‹ ์ด๋‹ค. ์˜๊ตฌ์„ฑ์˜ ๋‹จ์ผํ•œ ์ƒ๊ฐ์„ ์œ ์ง€ํ•˜๋Š” ๊ณณ๋„ ์œ ๋Ÿฝ์ด๊ณ , ์˜๊ตฌ์„ฑ์œผ๋กœ ์ง‘์ค‘ํ•˜๋Š” ๊ณณ๋„ ์œ ๋Ÿฝ์ด๋‹ค.
    Eliots idea of tradition implicitly rejects the schismatic, anti-passรฉiste positions of such avant-garde movements as Futurism and Dada; yet he was, on his own admission, campaigning for an avant-garde, and he proposed a view of the past which, though far from abolitionist, was not at all conventional. The work of the poet will, under certain conditions, join that which exists outside time, and speak with that voice rather than with the voice of his immediate predecessors. History is flawed by disaster; the dissociation of sensibility which occurred, according to Eliot, in the seventeenth centuryโ€•the hypothesis had as its immediate stimulus the need to say something to explain the superiority of the metaphysical poets over Miltonโ€•did not prevent access, by dint of much labour, to poetry which did not divide thought and feeling; for that poetry is not borne away by time. The effort of the true poet must be, simply and enormously, to know the mind of Europeโ€•to hold it, changing as it is in time, in a single thought of the permanence that underlies all change and without which we should be unable to apprehend change.10 This is a way of thinking that issues from some deep place in Eliots mind, and is registered in his later political and ecclesiastical writings, as well as in his poetry (16).

    ์ฐธ๊ณ ์ž๋ฃŒ

    ยท T. S. Eliot, Selected Prose of T. S. Eliot, Ed. and Intro. Frank Kermode (London: Faber and Faber, 1975)
  • ์ž๋ฃŒํ›„๊ธฐ

      Ai ๋ฆฌ๋ทฐ
      ์งฟ’์‹ํŒ๋งค์ž์˜ ์ž๋ฃŒ๋Š” ์งˆ์ด ๋†’๊ณ , ๊ฐ ๋ถ„์•ผ์˜ ์ „๋ฌธ ์ง€์‹์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ์ฝ˜ํ…์ธ ๊ฐ€ ๋งŽ์•„ ํ•™์Šตํ•˜๋Š” ์žฌ๋ฏธ๊ฐ€ ์ ์ ํ•ฉ๋‹ˆ๋‹ค. ์•ž์œผ๋กœ๋„ ๋งŽ์€ ์œ ์ตํ•œ ์ž๋ฃŒ๋ฅผ ๊ธฐ๋Œ€ํ•ฉ๋‹ˆ๋‹ค!
    • ์ž์ฃผ๋ฌป๋Š”์งˆ๋ๅฉ์˜ ๋‹ต๋ณ€์„ ํ™•์ธํ•ด ์ฃผ์„ธ์š”

      ํ•ดํ”ผ์บ ํผ์Šค FAQ ๋”๋ต–๊ธฐ

      ๊ผญ ์•Œ์•„์ฃผ์„ธ์š”

      • ์ž๋ฃŒ์˜ ์ •๋ณด ๋ฐ ๋‚ด์šฉ์˜ ์ง„์‹ค์„ฑ์— ๋Œ€ํ•˜์—ฌ ํ•ดํ”ผ์บ ํผ์Šค๋Š” ๋ณด์ฆํ•˜์ง€ ์•Š์œผ๋ฉฐ, ํ•ด๋‹น ์ •๋ณด ๋ฐ ๊ฒŒ์‹œ๋ฌผ ์ €์ž‘๊ถŒ๊ณผ ๊ธฐํƒ€ ๋ฒ•์  ์ฑ…์ž„์€ ์ž๋ฃŒ ๋“ฑ๋ก์ž์—๊ฒŒ ์žˆ์Šต๋‹ˆ๋‹ค.
        ์ž๋ฃŒ ๋ฐ ๊ฒŒ์‹œ๋ฌผ ๋‚ด์šฉ์˜ ๋ถˆ๋ฒ•์  ์ด์šฉ, ๋ฌด๋‹จ ์ „์žฌโˆ™๋ฐฐํฌ๋Š” ๊ธˆ์ง€๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
        ์ €์ž‘๊ถŒ์นจํ•ด, ๋ช…์˜ˆํ›ผ์† ๋“ฑ ๋ถ„์Ÿ ์š”์†Œ ๋ฐœ๊ฒฌ ์‹œ ๊ณ ๊ฐ๋น„๋ฐ”์นด์ง€๋…ธ Viva์˜ ์ €์ž‘๊ถŒ์นจํ•ด ์‹ ๊ณ ๋น„๋ฐ”์นด์ง€๋…ธ Viva๋ฅผ ์ด์šฉํ•ด ์ฃผ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
      • ํ•ดํ”ผ์บ ํผ์Šค๋Š” ๊ตฌ๋งค์ž์™ฟ’ ํŒ๋งค์ž ๋ชจ๋‘๊ฐ€ ๋งŒ์กฑํ•˜๋Š” ์„œ๋น„์Šค๊ฐ€ ๋˜๋„๋ก ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์•„๋ž˜์˜ 4๊ฐ€์ง€ ์ž๋ฃŒํ™˜๋ถˆ ์กฐ๊ฑด์„ ๊ผญ ํ™•์ธํ•ด์ฃผ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
        ํŒŒ์ผ์˜ค๋ฅ˜ ์ค‘๋ณต์ž๋ฃŒ ์ €์ž‘๊ถŒ ์—†์Œ ์„ค๋ช…๊ณผ ์‹ค์ œ ๋‚ด์šฉ ๋ถˆ์ผ์น˜
        ํŒŒ์ผ์˜ ๋‹ค์šด๋กœ๋“œ๊ฐ€ ์ œ๋Œ€๋กœ ๋˜์ง€ ์•Š๊ฑฐ๋‚˜ ํŒŒ์ผํ˜•์‹์— ๋งž๋Š” ํ”„๋กœ๊ทธ๋žจ์œผ๋กœ ์ •์ƒ ์ž‘๋™ํ•˜์ง€ ์•Š๋Š” ๊ฒฝ์šฐ ๋‹ค๋ฅธ ์ž๋ฃŒ์™ฟ’ 70% ์ด์ƒ ๋‚ด์šฉ์ด ์ผ์น˜ํ•˜๋Š” ๊ฒฝ์šฐ (์ค‘๋ณต์ž„์„ ํ™•์ธํ•  ์ˆ˜ ์žˆ๋Š” ๊ทผ๊ฑฐ ํ•„์š”ํ•จ) ์ธํ„ฐ๋„ท์˜ ๋‹ค๋ฅธ ์‚ฌ์ดํŠธ, ์—ฐ๊ตฌ๊ธฐ๊ด€, ํ•™๊ป“, ์„œ์  ๋“ฑ์˜ ์ž๋ฃŒ๋ฅผ ๋„์šฉํ•œ ๊ฒฝ์šฐ ์ž๋ฃŒ์˜ ์„ค๋ช…๊ณผ ์‹ค์ œ ์ž๋ฃŒ์˜ ๋‚ด์šฉ์ด ์ผ์น˜ํ•˜์ง€ ์•Š๋Š” ๊ฒฝ์šฐ

    ์ฐพ์œผ์‹œ๋˜ ์ž๋ฃŒ๊ฐ€ ์•„๋‹Œ๊ฐ€์š”?

    ์ง€๊ธˆ ๋ณด๋Š” ์ž๋ฃŒ์™ฟ’ ์—ฐ๊ด€๋˜์–ด ์žˆ์–ด์š”!
    ์™ผ์ชฝ ํ™”์‚ดํ‘œ
    ์˜ค๋ฅธ์ชฝ ํ™”์‚ดํ‘œ
    ๋ฌธ์„œ ์ดˆ์•ˆ์„ ์ƒ์„ฑํ•ด์ฃผ๋Š” EasyAI
    ์•ˆ๋…•ํ•˜์„ธ์š”. ํ•ดํ”ผ์บ ํผ์Šค์˜ ๋ฐฉ๋Œ€ํ•œ ์ž๋ฃŒ ์ค‘์—์„œ ์„ ๋ณ„ํ•˜์—ฌ ๋‹น์‹ ๋งŒ์˜ ์ดˆ์•ˆ์„ ๋งŒ๋“ค์–ด์ฃผ๋Š” EasyAI ์ž…๋‹ˆ๋‹ค.
    ์ €๋Š” ์•„๋ž˜์™ฟ’ ๊ฐ™์ด ์ž‘์—…์„ ๋„์™ฟ’๋“œ๋ฆฝ๋‹ˆ๋‹ค.
    - ์ฃผ์ œ๋งŒ ์ž…๋ ฅํ•˜๋ฉด ๋ชฉ์ฐจ๋ถ€ํ„ฐ ๋ณธ๋ๅฉ๋‚ด์šฉ๊นŒ์ง€ ์ž๋™ ์ƒ์„ฑํ•ด ๋“œ๋ฆฝ๋‹ˆ๋‹ค.
    - ์žฅ๋ฌธ์˜ ์ฝ˜ํ…์ธ ๋ฅผ ์‰ฝ๊ณ  ๋น ๋ฅด๊ฒŒ ์ž‘์„ฑํ•ด ๋“œ๋ฆฝ๋‹ˆ๋‹ค.
    - ์Šคํ† ์–ด์—์„œ ๋ฌด๋ฃŒ ์บ์‹œ๋ฅผ ๊ณ„์ •๋ณ„๋กœ 1ํšŒ ๋ฐœ๊ธ‰ ๋ฐ›์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ง€๊ธˆ ๋ฐ”๋กœ ์ฒดํ—˜ํ•ด ๋ณด์„ธ์š”!
    ์ด๋Ÿฐ ์ฃผ์ œ๋“ค์„ ์ž…๋ ฅํ•ด ๋ณด์„ธ์š”.
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